War of the Worlds is a 2005 American science fiction thriller film directed by Steven Spielberg and written by Josh Friedman and David Koepp, loosely based on the novel of the same title by H. G. Wells. It stars Tom Cruise, Dakota Fanning, Justin Chatwin, Miranda Otto and Tim Robbins, with narration by Morgan Freeman. In the film, an American dock worker is forced to look after his children, from whom he lives separately, as he struggles to protect them and reunite them with their mother when extraterrestrials invade the Earth and devastate cities with towering war machines.
The film was shot in 73 days, using five different sound stages as well as locations in California, Connecticut, New Jersey, New York, and Virginia. The film was surrounded by a secrecy campaign so few details would be leaked before its release. Tie-in promotions were made with several companies, including Hitachi. The film was released in the United States on June 29 and in United Kingdom on July 1. War of the Worlds was a box office success, and became 2005's fourth most successful film both domestically, with $234 million in North America, and $591 million overall.
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Author Visit -- Brad Schwartz -- Thursday, November 2 from 6:30 p.m. -7:30 p.m in LRC
The enthralling and never-told story of the War of the Worlds radio drama and its true aftermath On October 30, 1938, families across the country were gathered around their radios when their regular programming was interrupted by an announcer delivering news of a meteor strike in New Jersey. With increasing intensity, the announcer read bulletins describing terrifying war machines moving toward New York City. As the invading force approached, some listeners sat transfixed before their radios, while others ran to alert neighbors or call the police. Some even fled their homes in panic. But the broadcast was not breaking news--it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds. In Broadcast Hysteria, A. Brad Schwartz examines the history behind the infamous radio play. Did it really spawn a wave of mass hysteria? Schwartz is the first to examine the hundreds of letters sent directly to Welles after the broadcast. He draws upon them, and hundreds more sent to the FCC, to recapture the roiling emotions of a bygone era, and his findings challenge conventional wisdom. Relatively few listeners believed an actual attack was under way. But even so, Schwartz shows that Welles's broadcast prompted a different kind of "mass panic" as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. Schwartz's original research, gifted storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking work of media history.
Author -- Skype Interview -- Paul Levinson -- Date TBA
This essay explores the historical and current context of fake news - with comparisons to government propaganda, and professional and citizen journalism - as well as what impact it may have had on the 2016 U.S. Presidential election, and what can best be done about it.
Fake News -- Panel Discussion -- Date TBA
Panel discussion featuring journalist, news reporters and GRCC faculty.
Join us as the panelist discuss the "fake news" phenomenon.